Take One: Small Faces – ‘Talk To You’ – 1967 B Side- ‘Part of Your History’

by | May 7, 2017 | 0 comments


Spinning today in the ‘rock room’ is the flip side of the ‘Small
Faces ‘ British 1967 (Immediate 050) single ‘Here Come the Nice’. Released on
June 2, 1967 the day after Sgt. Pepper, and
smack dab at the beginning of the ‘Summer of Love’, the ‘B’ side ‘Talk to You’
is a hearty slab of Mod R and B. While the hazy amphetamine of the ‘A’ side, ‘Here Come the Nice’ would
reach number 12 on the British charts and become one of the band’s most
recognizable classics, the flip exhibits the true soul of the band. The song
was also placed on the corresponding British LP, Small Faces and its US full length counterpart release There Are But Four Small Faces.
Although the ‘Small Faces’ short lifespan 65-68 was enveloped
by thick smoke and psychedelic imagery, their Mod beginnings were always deeply
entrenched in R and B roots similar to their contemporaries , ‘The Who’ and ‘The
Pretty Things’. ‘Talk to You’ is a lively example of the band at their best.
The song is usually available in stereo, but there is a mono version with a bit
more ‘umph’, that can be heard as a bonus track on the 2014 reissue of the There Are But Four Small Faces album.
When the needle drops ‘Talk to You’ begins with a strong and
serrated Steve Marriott guitar riff, doubled by a honky picked clean guitar overdub
that tucks beneath the distortion. Marriott’s guitar creaks in all the right
places as Kenny Jones signals the song proper with a heavy handed snare stomp.
Ronnie Lane ties in with Jones using a ropy loping bass, recognizable because of its trebled ‘plonk’.
 
The groove is set with drum timed thick plectrum strums and
Marriott’s demanding shout to ‘Listen!’ The track is reportedly Marriott’s pleading to model/actress
and former Jagger love interest, Chrissie Shrimpton. The unabashed lyrics
ask the songs subject to simply take the time to talk. Marriott doesn’t want anything,
he doesn’t want to ‘share her car’, or ‘stop her from being a star’ he wants to
‘Talk to You’ (her). The content is Marriott’s discontent with being treated as
a ‘fan boy’ when what he is seeking isn’t very much, just some time and attention. His gritty vocals intensify the yearning and inject the cut with juice.
In typical fashion, Marriott is stellar, and
in the ‘rock room’s humble opinion his vocals are easily the best of the 1960’s rock era. It’s
obvious to those who listen to the ‘Small Faces’ who Robert Plant’s favorite
vocalist was! Throughout this track Marriott pushes with breathy asides, and
percussive grunts. His inspired chorus vocals are responded to by Lane’s smooth asides
that shadow Marriott’s larynx shredding shouts.

Entering into the second verse of ‘Talk to You’, Ian McLagan echoes the melody
with perfectly placed descending piano triplets attached to the song’s central
lick. Amazing that for a classic two minute single how the urgency is increased
with the crisp overdub of McLagan’s thumping piano. A perfect example of why
the music from the mid 1960’s is so enduring,  the time and attention to detail;
each element of a single release was subject to attention and experimentation
to disseminate the perfect musical moment.

Before the listener realizes it, the cool minor chord middle
eight slides in like a flash, and acts as a launching pad to the final set of
verses. Again, Ronnie Lane ghosts
Marriott’s vocals, but now drifting through the middle eight as well as the verse. Each and every detail an important
sonic print collaborating to become a perfect 1960’s single, and this is just a ‘B’
side! Lasting almost exactly two minutes, ‘Talk to You’ contains all of the
things that make the ‘Small Faces’ so wonderful in a tightly wound and quickly
expressed package.
Included here for your enjoyment, is the accompanying promotional film for the single, shot with the band jamming (miming) at the Ruskin Arms pub
in East Ham, London.  A great film and
period piece, Ronnie Lane looks at one point to tell the cameraman to ‘go away’
to his own enjoyment. 
While the ‘Small Faces’ never properly ‘broke’ in the US,
were stymied by poor management and disbanded way before their time, their
discography continues to be investigated and discovered to this day; thanks to
the power of their songwriting and performances. In a strange way their follow
up bands, ‘Faces’ and ‘Humble Pie’ enjoyed the recognition that ‘Small Faces’
never did, but that recognition always leads back to the formative R and B roots
of the ‘Small Faces’. Explore the nooks and crannies of their compacted catalog
as there remain a number of beautiful classics that await enjoyment.

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