Ronnie Lane and Slim Chance – ‘Ooh La La, An Island Harvest ‘-All Them That Took Me There and Back’

by | Oct 2, 2017 | 2 comments

The perfect soundtrack to a resplendent Fall day, Ooh La La: An Island
from the late Ronnie Lane and his ironically named early-1970s
group Slim Chance is today’s rock room soundtrack.
Lane, founder of both the Small Faces and its follow-up group the Faces,
penned or helped pen many of the most recognizable musical compositions of the
1960s and 1970s. In addition to his wonderfully melodic bass playing, Lane was
a master of melody and colorful lyrical content. His later work with Slim
Chance, however, was the rustic antithesis of his massive excursions with the
Small Faces and Faces.

While always retaining the ability to create pop
melodies, Lane’s music slipped into worn working clothes, tossing away the
glitz and glamour of his prior band’s world popularity. Of course, to this point Lane seemed destined to play a supporting musical
role throughout his career, first to rock dynamo Steve Marriott, then to future
Faces lead-man Rod Stewart. He often moved stealthily out of the spotlight,
even as Lane’s other bandmates relished in it. The entire time, Lane would sit
comfortably in the shadows writing classic songs, creating music on his terms
and eschewing conventional commercial ideals.

After leaving the Faces in June of 1973, Lane purchased a sprawling farm in
the English hills, and built his own mobile studio in order to create at home
and also to follow his traveling musical circus, “The Passing Show.” Both of
these decisions would eventually put Lane into debt, but they never dampened
his incredible sense of adventure and his ability to elicit emotion through
Lane turned away from the rock stardom that he was never entirely at ease
with, and in the process conceived a rustic and woody music rooted in honesty,
simplicity and expression. Lane’s journey saw him mature from a kinetic mod to
a musical farmer, and eventually into a folk-tale weaver.

The Ooh La La: An Island Harvest anthology, which comes in the form a
two-disc set, compiles the best of Lane’s post-Faces solo work with Slim Chance.
The set collects highlights from Lane’s two Island Records releases, Ronnie
Lane’s Slim Chance
and One for the Road, in addition to a wealth
of unreleased tracks and a prodigious concert appearance for BBC In Concert
from April 23, 1974.

The only negative to the set is the absence of the first Slim Chance LP, Anymore
for Anymore
, which was put out on an independent label; hence its absence
from this collection. What makes up for this loss are the live renditions of
some of the songs from that LP, included in the live BBC concert, such as the
bounding “How Come” and an intimate as well as definitive version of “Tell Everyone.”

Disc one begins with a resounding version of Lane’s “Ooh La La” which,
drizzled with mandolins and horns, makes for a refreshing update of a
well-known classic. The beautiful, largely forgotten composition “One for the
Road” makes you wonder how the song was not Lane’s greatest achievement. His
airy arrangement reflects a rediscovered country spirit, his comforting
rocking-chair voice the ultimate bucolic refection.

The running order of the set does not reflect any chronology, but
nonetheless gives the listener an organic pitchfork full of Lane’s finest
creations. The delicate flight of “Harvest Home” is a highlight of disc one, a
cinematic melody that sways on brittle prairie breezes and the rich thick scent
of tilled earth. The instrumental resonance of the tune quakes with woody
acoustics, tout strings and naturally created dynamics. There is an
unpretentious musical attitude that pervades the collection and a true
celebratory vibe that permeates the music.

“Give Me Penny,” another featured song, uses the stirring melodic basis that
Lane would revisit for the song “Annie” off of the Rough Mix album,
his future collaboration with Pete Townshend. An early take of Chuck Berry’s
“You Can Never Tell,” also known as “C’est La Vie,” boogies with the windows
down — showing off Lane’s rock ‘n’ roll roots were still firmly in place. The
jam version of “Back Street Boy,” another unreleased track, hearkens back to Lane’s
funky Faces days, with some chunky riffing and soulful saxophone arriving at
just the right moment. The rest of disc one highlights Lane’s rich harvesting
of hearty melodic memories with clandestine classics such as “What Went Down
(That Night with You),” and the warm embrace of “Tin and Tambourine.”

The second half of the collection begins with an alternate take of what should have been Lane’s defining moment as a solo artist with, “The Poacher.”Striding acoustic guitar and swelling strings levitate the song to mystical
levels. Lane’s diverse musicality is again on display, starting with the island
groove of “Street Gang” and followed by the stony minstrel display of “Nobody’s
Listenin’” and “Stone.” “G’morning” epitomizes the wealth of melodic riches
sprouting from this collection, which highlights an involved and positive group
collaboration. The 1974 b-side “Lovely” is an added bonus to the set, as its
whistles, hand claps and rough-hewn vocals recall a vaudeville country

The main course of the second disc is the complete BBC in Concert
appearance. A perfect cornucopia of Lane’s Faces era compositions nestled
nicely next to his blossoming solo pieces. The earliest lineup of Slim Chance
wheezes its way through honky-tonk versions of “Last Orders Please” and “Flags
and Banners,” as well as delicately navigating the melodic intricacies of “Done
This One Before,” and “Tell Everyone.” Every song is a picturesque expression
of the power of song, each player and instrument adding shade or detail into
the final image. “Tell Everyone” elicits such understated power and grace that
it’s difficult to not become emotionally invested. The final magical result of
these performed pieces is a complete respect for the muse by the musicians —
and true love for the art of the music.

Ooh La La: An Island Harvest is a must-have addition to any rock
aficionado’s collection, as Ronnie Lane’s contributions to rock, folk, singer
songwriter and even British folk and vaudeville music are unparalleled. His
refusal to conform to rock business standards were probably his only fault, but
the results contain some of the most honest and salt-of-the-earth melodic
creations you will hear in the canon of rock. Ooh La La: An Island Harvest finally compiles the music that may have not found a home
on the hit parade, but will always have a home in the hearts of those who


  1. Charlie Keating

    Some of the best music from a mans soul you'll ever hear.

    Can you show me a dream?
    Can you show me one that's better than mine?
    Can you stand it in the cold light of day?
    Neither can I – Ronnie Lane Glad And Sorry

    I went there and back
    Just to see how far it was
    And you, you tried to tell me
    But I had to learn for myself. -Ronnie Lane Debris


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